Category Archives: I Hope This Song Starts a Craze

Always A Lady

“Fashion fades, only style remains the same.” -Coco Chanel

“Amanda, your hair is looking really fabulous lately. What’s your secret?” I slowly glanced around the theatre bathroom and whispered, “It’s called the wand, and it’s awesome.

Yes, I am that girl that can sleep on her hair and wake up with it looking exactly the way that it did the night before. I know. You probably hate me. So, when I discovered the wand (http://hadleysreality.wordpress.com/2011/09/15/curly-q/) on Hadley’s Reality (http://hadleysreality.wordpress.com/), it was not long before I found myself at Target buying my very own magic stick. It works better than a curling iron and creates amazing waves that last for days.

As a girl that tries to keep it simple, Hadley Hartz has made it incredibly easy to follow her blog and her fashion advice. From her amazing jewelry finds to new ways to dress up old outfits, Hadley’s ideas are never tired and always refreshing. Her sass and individuality make this girl want to see what she has to say next. I appreciate that she’s a real girl on a budget, and doesn’t want to stretch the purse strings so much. She’s an avid thrift shopper, which is something that is an acquired taste, but something that I have moved into. So, hopefully when you discover Hadley’s Reality, you will find something that will make someone stop you in the bathroom and say, “Hey! You’ve been looking really great lately!” And don’t worry, your secret is safe with me.


“Hi, I’m Matthew. I’m shorter than you expected.”

“When I was young, I didn’t know if I was better off asleep or up/ Now I’ve grown up, I wonder what was that world I was dreaming of” -Nada Surf (When I Was Young)

One spring night a rock band came to Sacramento, California. They didn’t perform for the crowd; they performed with the crowd. They experienced it with their fans. Their generosity of spirit and willingness to connect with their fans was truly remarkable to witness. One of my best friends and I ended up talking with them for hours after the show and eventually made our way onto their tour bus to eat birthday cake. Who is this lovely band? Well, that spectacular band is none other than Nada Surf.

Perhaps, the greatest thing that one can do as an artist is to connect with the people that they influence. You create to affect the world, and there is no better reward than connecting with the people that you touch with your art. I have fallen in love with a lot of bands over the years, but Nada Surf will always be in my top three because they simply took the time to slow down and have a conversation. I am so incredibly happy that they continue to make music and have just released their new album “The Stars Are Indifferent to Astronomy”. Their music is not only pretty close to perfect, but their passion for the people that love their music is better than perfection.


All Dreams Start In The Mosh Pit

“When you want something, all the universe conspires in helping you to achieve it.” -Paulo Coelho

Everything seems so much more vibrant when you are sixteen. Anything seems possible when the world hasn’t punched you in the face a few times. Dreaming of opening a music venue with your best friend is not unthinkable. And then you grow up and realize that it’s not impossible, but that at that moment it is just a little out of your reach. That is until God intervenes.

“Amanda, I’m partnering with a venue. It’s all ages. It’s a dry venue. I’ll be booking all of the bands. It’s been completely renovated with a ridiculous sound system. It has a capacity of over 600. It’s perfect. It’s everything that I’ve ever wanted.” I scream, “Correction! It’s everything that we’ve ever wanted! I’m just not there to share in it.”

So, as Kyle Cheleotis and Upstate Recordings and Management (http://www.upstaterecordings.com) partner with Sound Stage Music Hall (https://www.facebook.com/Soundstagemusichall?sk=info), the face of music in Boiling Springs, South Carolina will rapidly be changing. With multiple shows a week coming to our tiny town, this is truly the beginning of something amazing. And hopefully, you decide to be a part of it.


Yes, And

“The best thing about improv is that no matter how bad your show is, it’s only 30 minutes, and never exists again. The worst thing is no matter how good your show is, it’s only 30 minutes, and never exists again.” -Mick Napier

If I have learned anything from my time at Second City, it is that improv is a beautiful art and is greatly misunderstood. It is something that is constantly fleeting because that audience, that energy, and those thoughts will never be there again. Each night is electric and can never be attempted to be reproduced again. And no matter what night it is, there are people on that back line that have your back. So, in the spirit of improv, there is a project that needs that same electricity and support. I met Marc Warzecha three years ago, first as my teacher and then as a boss. To say that Marc is exceptional would be putting it lightly. His passion for his art oozes out of his very being, and he believes in what he creates more than most people that I have met in Los Angeles.

Marc’s next project “Improv Legends” (http://www.kickstarter.com/projects/improvlegends/improv-legends) is just a continuation of his passion and an extension of the passion of improvisers every where.

“Improv Legends is a new series of documentary shorts exploring the art of improvisation from a wide variety of angles and perspectives.

Filmmakers and long time improvisers Joel Veenstra and Marc Warzecha started this passion project as a ‘love letter to improvisation.’”

And the only thing that is missing is you. Every independent project needs supporters, and all you need to do is say, “Yes, And”.


Superhero Dreams

“Crowded classrooms and half-day sessions are a tragic waste of our greatest national resource – the minds of our children.” -Walt Disney

When I was in preschool, I would play for hours in my own imaginary world. I would create this alternate universe and be all of the characters in it. My mother asked my teacher if that was normal and my teacher grinned, “She should never stop. She has an imagination.”

I found that I thought the best when I was making up stories or playing in my room. The process of creating situations would only help me figure things out. My best inspirations happen when I am creating. I think better that way. So, I when I first saw Sir Ken Robinson’s TedTalk “Ken Robinson Says Schools Kill Creativity” (http://www.hulu.com/watch/219269/tedtalks-ken-robinson-says-schools-kill-creativity), I felt like someone finally got it.

Math and science were never passions of mine, and I never understood the importance. I just wanted to create and write and perform, but those were the programs that did not carry much weight in school. Those were the programs that were the first to get cut. They were the first programs to be misunderstood. They were the places though where I felt free. I was surrounded by people that felt and lived the same. To be around like minded people allowed me to think, dream, and take bigger risks than ever before. It is not within the boxes that the world thinks are fitting that ideas and dreams are born. It is in movement and freedom that imagination and creativity are truly set free. I think that as we grow older that we lose that feeling. We lose ourselves in routine and responsibilities.

I think that Paula Poundstone said it best, “Adults are always asking little kids what they want to be when they grow up because they’re looking for ideas.” Because honestly, who doesn’t want to be a superhero when they grow up?


What The Locals Don’t Even Know

“It’s not necessary to go far and wide. I mean, you can really find exciting and inspiring things within your hometown.” -Daryl Hannah

It’s easy to think that you know your hometown like the back of your hand. You feel like you have driven down every street a million times, and nothing has really changed in all of the years that you have lived in that tiny town. But in the quiet and the distance are the echoes of things undercover. There is that small bakery on the other side of town that you pass by every time that you go to your grandmother’s, but you are always too busy to notice. It’s easy to assume that there is not a really awesome thrift store in town that you haven’t ravaged through yet. It’s after midnight and you are starving for something other than Waffle House, but where do you go? Chances are if you live in Spartanburg, South Carolina, the answers can be found in “The Underground Guide to Spartanburg” (the-underground-guide-to-spartanburg). Just when you think that you’ve seen it all, I bet that there are things that have been hiding in plain sight even in your own town. So, I dare you to take a road that you’ve taken a thousand times before and find something new-something that you can make your own-something lovely that the locals don’t even know.


Our Foolish Hearts

“I believe the greatest trick of the devil is not to get us into some sort of evil but rather have us wasting time. This is why the devil tries so hard to get Christians to be religious. If he can sink a man’s mind into habit, he will prevent his heart from engaging God.” -Donald Miller (Blue Like Jazz)


To Whom It May Concern

“But it’s the life I dreamed I have/ The love I find in my grasp/ The words I could share with someone/ Those thoughts keep the breath in my lungs/ That tomorrow my hope will become to feel a love that can’t be undone/ And save a wretch like me” -Emery (I Never Got To See The West Coast)

The lights were cloudy and, and the energy was intoxicating. The entire night was more vivid than anything that I had encountered in so long. A former simple band that became larger than life and a tad embarrassing swept the stage of the Tremont Music Hall in Charlotte, North Carolina for an evening to not be forgotten. The bass player stepped forward and spoke words directly into my heart, “I know that some of you are really struggling right now. I know that right now that you think this is it. You think that it doesn’t get any better than right now, but I promise that it does get better. And if you hold on, in a few years, you will look back and be so glad that you stayed.”

That night in Charlotte was a serious turning point for me. I was sixteen and so confused. I never thought about taking my own life, but I remember being depressed and feeling like I was falling into a big black hole. I was trying to figure out life, and who I was in relationship to it all. I just didn’t know what to do or who to talk to. If you ever mentioned depression to adults or classmates, most of the time, they would think that you were crazy. But that night, I felt like I was not so alone, and that someone had been there before. Someone knew my pain.

I found To Write Love On Her Arms (http://www.twloha.com/) almost six years ago through a friend. I remembering reading The Story (http://www.twloha.com/vision/story/) and wishing that this non-profit could have existed when I was sixteen. Their mission statement is simply, “To Write Love on Her Arms is a non-profit movement dedicated to presenting hope and finding help for people struggling with depression, addiction, self-injury and suicide. TWLOHA exists to encourage, inform, inspire and also to invest directly into treatment and recovery.” A huge part of the explosion of TWLOHA has been the large support of many bands. Because at it always does, it starts with music. Music changes lives.

I just read an article about a fifteen year old girl that committed suicide because of bullies at her school. It shattered my heart that some people who will be greatly insignificant in a few years to this girl were able to destroy a life. I wish that she could have held on longer, so that she could see that tomorrow is another day-a day that she could take back and make her own.

You never know the people’s lives that you will change or effect. So, as we move around, meet new friends, say good-bye to old loves, and follow our dreams, we should make sure that we are always leaving people better off than when we found them; we should be writing love on everyone’s arms.


Massacre of the Melting Kind

For the ones that believe that music should be played louder than allowed, for the ones that desire songs to be secret love letters that replay in your head for days because the words were perfectly constructed so, for the ones that feel music in their entire beings, for the ones that believe in the art of a mosh-pit, for the ones that remember the first time that they heard a band that made them want to punch someone in the face because it was so perfect, for the ones that believe that the only way to leave a show is with a few bruises and a completely soar throat, for the ones that still believe that there is beauty in art and music, I give you, La Dispute (http://www.ladisputemusic.com/). May they melt your face off and may you never be the same. Because if you don’t change as a result of this spectacular band, then this really wasn’t addressed to you in the first place.


Beeping Hearts

“The darkest thing about Africa has always been our ignorance of it.” -George Kimble

Madonna, Bono, Clooney cannot save Africa, only Africans can
By: ANDREW M.MWENDA (The Independent)

And so it was that on my flight from Amsterdam to Dubai I stumbled upon a documentary on poverty in Malawi by singer Madonna. Like most Western movies, documentaries and news about our continent, this too was a story of Africa’s persistent failure and the efforts of the West to save us from the vagaries of nature and the “rapacity” of our rulers.

The script had the usual suspects; children with mucus filled noses and jigger infested feet, orphans without food or shelter, the poor living in grass thatched huts, a miserable-looking mother with a malnourished child tied to her back as she stretched her emaciated hands to receive charity from a white aid worker. Against the backdrop of these images are interviews with those trying to save the people of Malawi – Bill Clinton, Jeffrey Sachs, Paul Farmer, Erick Borgstein and Victoria Keelan.

There are a few Malawians brought in to tell the story of course; a member of parliament, a church leader, the deputy minister of local government, a civil society activist, the minister of foreign affairs and a Malawian PhD holder. As expected, the people of Malawi are presented as passive victims of nature and bad government; with their story to tame and harness nature for their survival, and their political struggles to change their reality, conspicuously absent. Their emancipation from misery, Sachs and Farmer tell us, is the responsibility of the rich people of the Western world.

“The West has a duty,” Sachs says with confidence and certainty, “to help these people have a future.” Clinton agrees entirely. In short, the people of Malawi are not supposed to be active participants in their own emancipation. They are supposed to be passive recipients of international charity.

As I watched the Madonna documentary, I remembered that some months back I had watched actor George Clooney and activist John Prendergast on Larry King Live talking about Darfur. The story of Darfur was not being told by those who suffer the costs of the crisis. It was Clooney and Prendergast who were speaking for and on behalf of the suffering people of that region. This suffering has now become an opportunity for celebrities living in opulence to show off their humanity.

Clooney was hopelessly out of depth on the problems of Darfur – coming across as someone who had been hastily mobilised to support a cause he did not know much about. Yet Larry King was more interested in interviewing him. Prendergast seemed better informed, yet King was disinterested in what he had to say.

But both Clooney and Prendergast shared one narrative; that the salvation of the people of Darfur will not come from their own struggles. It would come from the charitable actions of an abstract entity called the “international community” through its obligation “to protect”; oh, and of course the great and most benevolent of all – the altruistic and exceptional people of America without whose kindness the world would not exist, at least not as we know it today.

In spite of knowing the facts, Prendergast was superficial; he seemed ignorant of the structural and historical processes that are shaping politics and conflict in that region. He did not seem to understand the complexity of the problem. Yet he still would have shed more light on it had Larry King cared more about the people of Darfur than about giving Clooney airtime to exhibit his humanity.

Many Western interventions to save Africa are rarely about the supposed victims. Instead, they are platforms for Western people to exhibit their altruism. Evolutionary psychology tells us that women tend to fall in love with men who exhibit kindness and generosity, attributes that gave our ancestors decisive advantage in the dating market and therefore made them successful reproductively.

The Larry King show featuring Clooney and Prendergast was not intended to highlight the suffering of the people of Darfur; their daily struggles to overcome adversity, their aspirations and their hopes. It sought to promote the narrative of America as saviour of the world.

So this brings me back to Madonna and her struggle to save Malawi. That central African country is a democracy – at least as Washington, Paris and London would prefer – with a free press, an elected parliament and elites alternating in power from ruling to opposition party etc. Yet as the story unfolds, the deputy minister for local government complains that children of her constituents regularly come begging her for fees. “I try to help,” she says, “But I cannot help everyone.” And what is the cost of fees? It is only $ 12 per term.

The minister of foreign affairs, Joyce Banda, also features in the documentary explaining the lack of vision, poor leadership at the local level (as if the central government is better) and the increasing spread of superstition in the country. She seems unable to see that people are increasingly turning to traditional healers (whom she calls “witch doctors”, a colonial categorisation) because public hospitals are malfunctioning.

So, the failure of Malawi’s democracy to serve ordinary people was obvious. Why should a minister pay fees for her constituents from her personal income? Why isn’t Malawi’s democratic process fostering an impersonal application of public policy? Clearly the people of Malawi are not rights-bearing citizens. They are clients of these powerful politicians. That is why they do not demand rights from the state but beg for favours from their MPs.

As I write this article, there are more Malawian doctors trained at government expense living and working in Britain than there are in Malawi itself. Malawian professionals have voted with their feet and left. Yet the world may remain happy with Malawi because it meets the conventional models of a democracy. Africa needs to begin a conversation about how its people are integrated into the emerging democratic structures.

Throughout the documentary, Malawi and through it Africa is stripped of self initiative. The story of persistent failure and misery makes you think that there is nothing positive that happens in that country – except of course Madonna’s apparent wonderment that in spite of their poverty, Malawians are still happy: The children play, the youths smile and cheer, the elderly laugh and hug each other in mutual affection.

What is missing is the story of innovation in Malawi; the business people who are creating new ways to make money and therefore employing hundreds of thousands; the farmers who are improving their wellbeing through adoption of modern farming technologies; young professionals like those in Kenya who created mobile money that is changing life on our continent without foreign aid; and small traders and craftsmen and women who are creating many things out of nothing.

Even in rural Malawi, it is not only a story of misery; there is innovation: That is the story of the great William Kakamba whom I met at the TED Conference in Arusha in June 2007. Coming from a poor home, with his parents living in a grass thatched house, Kakamba read in a local library about how to generate electricity using windmills. He went home and created one using rudimentary tools and there it was – electricity.

Kakamba is not alone; similar stories abound across this continent. There is the story of Victor Mugai, a young Kenyan I taught at Yale University. His father and mother died when he was seven, his sisters married in their early teens and he had to raise himself and his young brother. At eight, he built his own clock; at 10, he built a television set and at 14, he built a rocket – all out of his grass thatched hut in rural Kenya. Yet he had the audacity to dream of studying in America. Without the help or knowledge of his government, he struggled and was helped to get a scholarship to Yale where he is studying nuclear physics.

But it is also the story of Fred Balagadde; best student in O levels in Uganda in 1998: He struggled, went to the US, paid his own fees and finally did his PhD in bio technology at California Institute of Technology and Stanford University. He invented a micro chemostat, a first-of-its-kind microfabricated fluidic chip that mimics a biological cell culture environment in a highly complex web of tiny pumps and human hair-sized water hoses, all controlled by a multitasking computer. This pioneering research, that has left many in the Silicon Valley scratching their heads, can diagnose 98 percent of all diseases without help of a doctor.

There are a million and one Africans doing these things – in villages, in towns, on the continent and abroad. But this story of innovation is often disarticulated from political life in Africa because we have a perverted democracy where the political process seeks to enhance the privileges of a few at the expense of the many.

There are many people from the West who genuinely believe Africans can be helped to help themselves. Often, this section of Western interest in Africa finds talented people like Mugai, Kakamba and Balagadde and helps them to achieve their dreams clearly recognising that these are the continent’s change agents. But such help is the exception, not the rule. For most Westerners, the attraction is in helping where the television cameras are watching and hence gain worldwide publicity.

I admit that our governments have been abysmal in promoting our innovative youths. One of the few countries in Africa hungrily looking for its best brains to serve it is Rwanda; for if Kakamba, Mugai and Balagadde were Rwandan, they would be the focus of government policy and action. And it is not a surprise that human rights groups hate Rwanda calling it a police state; and a section of Africa’s ill informed intellectual class agrees. Good enough Rwandans tell their story differently in opinion polls by such institutions as Gallup Poll – 95% say they have confidence in their public institutions, making the country 4th in the entire world.

Yet Madonna’s documentary was not without good insights. The PhD Mathew Chikoanda says “the problem we have, not just in Malawi but across Africa is this victim mentality – the tendency to shift blame for our problems from ourselves to other people.” I agreed entirely. However, I would add that while our problems are largely domestically generated and the demands to solve them are locally articulated, the framework of discussing the solution is always a textbook theory developed out of the experience of other countries. Part of Africa’s predicament is born of this persistent mismatch between demands and solutions.

Chikoanda went on quoting a Malawi proverb that “No one can share your head in your absence.” So we need to take responsibility for ourselves. We need to empower our people. External assistance is okay. But we need to begin with our own solutions. Chikoanda was touching on something I feel passionately about. And it is in Rwanda that I have seen this begin to happen. And this could be largely because in their moment of national catastrophe, the people of Rwanda saw the international community cut and run. They learnt self reliance the hard way.

Towards the end, Clinton comes back with a comment – “Africans are ready to tackle their own problems,” he says, “but they are looking for someone to help them, to empower them.” Possibly, but why can’t we empower ourselves and only let others help us on our own terms? Besides, who are these helpers? What are their interests and motivations? Well, Africa has been involved in years of parroting the view of others about who we are, what we are and what we need. It is time for us to compose our own song and sing it. Madonna and all the kind people of this world cannot save Africa. Only Africans can save themselves.


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